Wesley Allsbrook
When I drew this, I was thinking of you.
DEAR ANGELICA
In 2015, Inigo Quilez wrote QuilI, the tool with which I drew every line in "Dear Angelica", co-written and directed with Saschka Unseld, written and developed by Angela Petrella, and made by the good people at Oculus Story Studio. Dear Angelica premiered at Sundance in 2017. It went on from there to visit Raindance, Venice, and received an Emmy nomination and a Peabody Award.
People who know me know what this work has meant to me. Others don’t know the half of it.
I will always draw flat, but making work in VR has changed the way I think about drawing, and has made me better. I cannot imagine not working in this way.
In April 2017, I made this work for WB's Wonder Woman for SXSW in partnership with Google's Tiltbrush. I really liked Patty Jenkins. I mean I really, really did. This is activation art, but it's Wonder Woman, and, at least for a little while, Gal Godot followed me on Instagram. Or was it Twitter?
